![]() Let’s begin with a chart I’ve concocted that compares these curves the versions of the curves here are all intended for earphone voicing. (If you like, you could throw in the free-field and diffuse-field target curves, too, but they’re considered obsolete for the most part.) I hope the originators of these five curves will pardon any oversimplifications in my following brief synopses. I’m aware of five different published modern, basic headphone target curves, although some of them have variants, and I know manufacturers all have target curves of some sort, even if they’re not published. Now others are responding by suggesting their own alternatives to the Harman curve-and headphone enthusiasts are left scratching their heads, wondering which, if any, of these will agree fully with their own ears. Like practically every paper on audio that takes a strong stand, it was met with a mixture of praise, scorn, and indifference. ![]() ![]() The original paper that eventually resulted in the Harman curve was published ten years ago. ![]()
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